VOCIFEROUS BLIZZARD
The square-shaped gir1 with a five-o'clock waiting lonely song
forced my eyes into hers
Until they were so strong she could laugh.
"I hope your bus comes soon" resounded through the dirty walls
above the dirty protest
of tried and storm-soaked shuttles.
I had three pennies
for a beggar with stronger eyes
than years could justify;
her brown skin, color of the earth
and battered by four seasons
shuttling back and forth over her
was answer enough.
She had no use for her past
Her future was a picture
no weapons could ride
high enough to disfigure
where every train track ends.
She could sing for every life
she cared to scrutinize
well-schooled by the immortal masters of her path:
Arborway
Heath St.
South Boston
Louise Day Hicks,
who knew where she stood,
but the song was so clear and natural,
no obstacle could block
what the color-blind indifference of the air absorbed
and carried and swelled,
five o'clock drowsy drenched,
molested by a blizzard
that dared roar and flash
whitening the five o’clock dirty darkness
--winter and the year
before the day called winter.
The time not so old
as it appeared
where instants turn into
years and years absorbing,
embracing, to every life
with a sneering sadness:
"So, Snow-White
you've had your share.
I toast you with a sip you never could swallow;
a drop would topple your learned leaning post.
White weakling eyes, look into me
My eyes will follow you until they do
and draw out a life in less time
than it takes the train to come."
--All aboard the boring
five o'clock shadows flitted and
next, behind her back,
new passers-by slowly blanketed the space
with more song, more elbows to brush and not touch
--separate ways home.
And once every ten trainloads or five
there chances in a new theme,
eyes not yet met.
out of the earth as the ice
falls out of dirty clouds
and dares roar a flash,
a melody
new words
turned over,
whispered to four walls
somewhere across the black tracks:
If everyone could write her songs . . .
Copyright © Marta Steele 1972-1973, 2010. All rights reserved. No other use of this permitted without express permission on the poet, in writing.